{"id":1612,"date":"2021-09-28T09:50:23","date_gmt":"2021-09-28T09:50:23","guid":{"rendered":"https:\/\/mappola.eu\/?p=1612"},"modified":"2021-12-10T10:51:48","modified_gmt":"2021-12-10T10:51:48","slug":"workshop-but-is-it-art-exploring-the-aesthetic-limits-of-roman-poetry-30-september-1-october-2021","status":"publish","type":"post","link":"https:\/\/mappola.eu\/index.php\/2021\/09\/28\/workshop-but-is-it-art-exploring-the-aesthetic-limits-of-roman-poetry-30-september-1-october-2021\/","title":{"rendered":"Workshop: But is it art? Exploring the aesthetic limits of Roman poetry (30 September \u2013 1 October 2021)"},"content":{"rendered":"\n

Following our Call for Papers and Posters<\/a>, we are delighted to announce the preliminary programme of our second MAPPOLA workshop “But is it art? Exploring the aesthetic limits of Roman poetry”.<\/p>\n\n\n\n

The workshop will be held digitally. Attendance is free of charge, but booking is mandatory. <\/p>\n\n\n\n

If you wish to secure a place for this workshop, please email Team MAPPOLA at butisitart (at) mappola (dot) eu<\/a>, confirming your interest in the workshop, your first name and surname, as well as your professional affiliation (if applicable).<\/p>\n\n\n\n

Programme<\/h3>\n\n\n\n

N.B. Abstracts are accessible to all (just click on the link). Access to any submitted papers and material requires registration with the conference organisers (as per the above): instructions and passwords for access will be sent out to registered participants only.<\/em><\/p>\n\n\n\n

All times are given as CEST – Central European Summer Time. If you happen to live in a different time zone and wish to convert the times of our event to the equivalent of your own time zone, you might use e.g. the Time Zone Converter<\/a> (no, we don’t get any royalties: we just want to be helpful \ud83d\ude42 ). <\/em><\/p>\n\n\n\n

Thursday, 30 September<\/h4>\n\n\n\n
Time (CEST)<\/th>Presenter(s)<\/th>Title<\/th>Materials<\/th><\/tr><\/thead>
14.00 \u2013 14.15<\/span><\/td>Peter KRUSCHWITZ<\/a><\/td>Welcome and Introductory Talk<\/span><\/td><\/td><\/tr>
<\/td><\/td><\/td><\/td><\/tr>
INCLUSION AND EXCLUSION<\/span><\/strong><\/td><\/span><\/strong><\/td><\/span><\/strong><\/td><\/td><\/tr>
14.20 \u2013 14.35<\/span><\/td>Concepci\u00f3n FERN\u00c1NDEZ MART\u00cdNEZ<\/span><\/span><\/td>CIL<\/em> XVIII\/2: Carmina Latina Hispaniae<\/em>. Criterios para la inclusi\u00f3n o exclusi\u00f3n de materiales<\/span><\/td>\u27a3 Abstract<\/a><\/span><\/td><\/tr>
14.35 \u2013 14.50<\/span><\/td>Roc\u00edo CARANDE HERRERO<\/span><\/td>Epigraf\u00eda en versos l\u00edricos: el contexto<\/span><\/td>\u27a3 Abstract<\/a><\/span><\/td><\/tr>
<\/td><\/td><\/td><\/td><\/tr>
CASE STUDIES<\/span><\/strong><\/td><\/td><\/td><\/td><\/tr>
15.00 \u2013 15.15<\/span><\/td>G\u00fcnther E. TH\u00dcRY<\/span><\/td>Musenliebe oder Dichterweihe? Eine Inschrift gesteht die Liebe zur Kunst<\/span><\/span><\/td>\u27a3 Abstract<\/a><\/span><\/td><\/tr>
15.15 \u2013 15.30<\/span><\/td><\/span>Team MAPPOLA<\/span><\/td>A Verse Inscription from Tomis (Or Is It??)<\/span><\/td>\u27a3 Abstract<\/a><\/span><\/td><\/tr>
<\/td><\/td><\/td><\/td><\/tr>
EXPLORING THE LIMITS<\/span><\/strong><\/td><\/td><\/span><\/strong><\/td><\/td><\/tr>
15.40 \u2013 15.55<\/span><\/td>Alberto BOLA\u00d1OS HERRERA<\/span><\/td>Not everything that rhymes is a hexameter. On the Limits between Metrics and Phraseology<\/span><\/td>\u27a3 Abstract<\/a><\/span><\/td><\/tr>
15.55 \u2013 16.10<\/span><\/td>Dylan BOVET<\/span><\/td>The Elegiac Lameness Exposed: How to Walk Steadily among the Epigraphic \u2018Distichs\u2019?<\/span><\/td>\u27a3 Abstract<\/a><\/span><\/td><\/tr>
16.10 \u2013 16.25<\/span><\/td>Jan KWAPISZ<\/span><\/td>Sotades\u2019 Little Revolution<\/span><\/td>\u27a3 Abstract<\/a><\/span><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

Friday, 1 October<\/h4>\n\n\n\n
Time (CET)<\/th>Presenter(s)<\/th>Title<\/th>Materials<\/th><\/tr><\/thead>
14.00 \u2013 14.05<\/span><\/td>Peter KRUSCHWITZ<\/span><\/td><\/span><\/strong>Introducing the second day of the workshop<\/span><\/td><\/td><\/tr>
<\/td><\/td><\/td><\/td><\/tr>
CROSSING BOUNDARIES<\/strong><\/span><\/td><\/td><\/td><\/td><\/tr>
14.05 \u2013 14.20<\/span><\/td>Flavia VASCONCELLOS AMARAL<\/span><\/td>Forging a genre with a garland: Meleager, the poet and the editor<\/span><\/td>\u27a3<\/span> Abstract<\/a><\/span> <\/span><\/a><\/td><\/tr>
14.20 \u2013 14.35<\/span><\/td>Simon OSWALD<\/span><\/td>Metrical Distress: the Aesthetics of Prosody<\/span><\/span><\/td>\u27a3<\/span> Abstract<\/a><\/span><\/td><\/tr>
<\/td><\/td><\/td><\/td><\/tr>
ROUND TABLE I<\/span><\/strong><\/td>TAKING STOCK<\/span><\/span><\/strong><\/td><\/span><\/td><\/td><\/tr>
14.45 \u2013 15.30<\/span><\/td><\/td><\/td><\/td><\/tr>
<\/td><\/td><\/td><\/td><\/tr>
ROUND TABLE II<\/span><\/strong><\/td>FORGING AHEAD<\/span><\/strong><\/td><\/td><\/td><\/tr>
15.40 \u2013 16.25<\/span><\/td><\/td><\/td><\/td><\/tr>
<\/td><\/td><\/td><\/td><\/tr>
CONCLUSION<\/span><\/strong><\/td><\/td><\/td><\/td><\/tr>
16.25 \u2013<\/span><\/td>Final considerations and virtual drinks reception<\/span><\/td><\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

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